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The Pull of Isolation

Crime and Punishment

Raskolnikov withdraws from ordinary relationships, briefly reaches toward assistance, and then returns to solitude as his crisis narrows his world.

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Avoiding the LandladyAvoiding the Landlady from "Crime and Punishment". Avoiding the Landlady A Life of Evasion Raskolnikov slips past his landlady’s kitchen to avoid questions about his unpaid debt.
Avoiding the Landlady A Life of Evasion Raskolnikov slips past his landlady’s kitchen to avoid questions about his unpaid debt. He is less frightened of punishment than of having to listen, answer, and invent excuses. His avoidance has expanded beyond one creditor: he dreads meeting almost anyone. Social contact has become another pressure from which he tries to escape.
A Tavern Confession HeardA Tavern Confession Heard from "Crime and Punishment". A Tavern Confession Heard An Unwanted Conversation Raskolnikov enters a tavern seeking relief from thirst and weakness.
A Tavern Confession Heard An Unwanted Conversation Raskolnikov enters a tavern seeking relief from thirst and weakness. Semyon Zaharovitch Marmeladov begins speaking to him with an intimacy that contrasts with Raskolnikov’s habitual aversion to strangers. Raskolnikov listens closely despite feeling vexed by the encounter. For a brief period, another person’s story crosses the boundary of his self-enclosure.
Remembering RazumihinRemembering Razumihin from "Crime and Punishment". Remembering Razumihin A Possible Connection After reading the letter, Raskolnikov recalls his former university companion Razumihin, a resourceful and generous…
Remembering Razumihin A Possible Connection After reading the letter, Raskolnikov recalls his former university companion Razumihin, a resourceful and generous man. He considers visiting him to ask for work or practical help. The possibility is short-lived. Raskolnikov dismisses the idea because ordinary employment cannot meet the need he now imagines, and he suspects a hidden significance in his own impulse to seek a friend.
The Dream’s ReturnThe Dream’s Return from "Crime and Punishment". The Dream’s Return Childhood Recalled Alone after drinking and falling asleep outdoors, Raskolnikov dreams of childhood and the killing of a helpless mare.
The Dream’s Return Childhood Recalled Alone after drinking and falling asleep outdoors, Raskolnikov dreams of childhood and the killing of a helpless mare. In the dream, he cannot accept the adults’ insistence that the violence is merely drunken foolishness. The scene restores an emotional response he has tried to override with reasoning. For a moment, the memory breaks through the isolation of his private theory and makes suffering impossible to treat as an abstraction.
Return to the GarretReturn to the Garret from "Crime and Punishment". Return to the Garret Solitude After Violence Raskolnikov returns to his garret after evading the people who discover the crime.
Return to the Garret Solitude After Violence Raskolnikov returns to his garret after evading the people who discover the crime. He has avoided immediate detection, but his room offers no human support or clear refuge. He collapses into blank forgetfulness, with disconnected thoughts moving through his mind. The concealment of his act leaves him more isolated, not more secure.
Early July, before the first pawnshop visit
The first evening, after the pawnshop visit
The day after he reads his mother’s letter
The night before the murders, on Petrovsky Island
Late on the evening of the murders